ANIMORPHS Episode 16: The Leader, Part 2

Hey, Halloween is coming up, and it’s on a Friday. Is there anything spooky you guys wanna see me review that week? Someone suggested Goosebumps, I don’t know, does anyone care? Anyway, this episode exists.

Previously on Animorphs: Marco and Jake got shot iinto space and Visser One is Marco’s mom. Cassie and Rachel jumped across a big hole. Ax and Tobias were drafted and killed in Vietnam.

We pick back up with Marco freaking the fuck out. He is simultaneously horrified that his mom is under alien control and psyched that she isn’t dead. Jake says, “Just don’t do anything stupid,” and Marco immediately tries to vault over the boxes they’re hiding behind and charge the stage. Jake stops him.


Mama Marco (who is a shitty actress) demands the Andalite Bandits, but some Yeerk asshole shows up to tell her they’ve gone and escaped.

No wonder this guy gave up his humanity.

No wonder this guy gave up his humanity.

Visser Trent shakes his jowels around and disperses his goon squad to look for them.

"Raggle fraggle."

“Raggle fraggle.”

Jake realizes that this situation sucks and tries to come up with a plan, but Marco has completely lost it and just keeps staring into space. He’s gone totally dead inside and Boris is way better at playing “in shock” then “emotional crying.”

Mama Marco tears Visser Trent apart for being a useless shithead. Her lips are out of control, dude. She storms off and Trent hates himself before doing the same thing.


Back on Earth, Cassie and Rachel crawl through some more vents at the EGS Tower.


They’re searching for the new Kandrona so they can beat it to death. They bemoan not being able to morph due to the sensors from last episode. I would not be surprised if they use this excuse to completely elimnate morphing from the rest of the show. Look forward to next week’s review of Ani.

Turns out that in space, no one can hear you morph. Jake and Marco hang out on the ceiling as lizards and Marco has seemingly gotten over his emotional shock so that was fun while it lasted.

They look like a heart.

They look like a heart.

They eavesdrop as the two Vissers chat about alien business. Also they are in some kind of plant room where Mama Marco tends to her plants.

Spooky scary spritzing

Spooky scary spritzing

I guess before being possessed by aliens, Mama Marco dug plants. The idea here is that Mama Marco is a difficult host to control because she’s so strong-willed or whatever. Do you think after he acquired his bald businessman morph, Visser Three murdered the real Victor Trent?

Jake and Marco end up in a space elevator that takes them to a space hallway. Marco walks straight into a hanging wire and I’m convinced it was a blooper they just ran with. Well, the guys find a smaller ship docked inside the larger one, start fucking with the controls, and Jake decides they will just fly the lil’ fighter home.

Marco isn’t down with this, first because it’s a fucking bonkers idea, and second because he doesn’t wanna leave without his mom. He storms off and Jake follows him.


Jake is like “Nope we gotta go now, this place is bogus.” Marco isn’t budging. He tells Jake that he (Jake) should go back to Earth, but that he isn’t gonna leave without his mom no matter what. This scene is really good, guys! Is this show becoming watchable?

Rachel and Cassie continue fucking around.



Marco is on his own in the space hallways. He hears footsteps and hides, but it’s just Jake, who has come to help him.

"Hey, I guess we're on a spaceship."

“Hey, I guess we’re on a spaceship.”

Cassie and Rachel beat the Kandrona to death with wrenches. An alarm goes off. They run away.

The boys sneak around. Marco is convinced that if his mom sees him, she’ll be able to break free of the Yeerk’s control due to the power of love. They’re spotted by the Goon Patrol, who give chase and shoot at them until Jake expertly knocks some barrels over and then they spray them with a hose full of steam or whatever.



They end up being chased back into the smaller ship, where Jake urges Marco to help him start the ship up. Marco is like “Fuck, Jake, we JUST talked about this.”


Jake convinces Marco that if they don’t fly off now, they’re gonna get shot to death by flashlights and he is gonna be real fucking useless re: saving anyone. They rocket off into space .



There is a pretty funny bit where Marco closes off all the viewscreens, and Jake complains “Now we can’t see anything.” Marco’s response: “It’s space.” “Oh, yeah.” Pretty funny.

Still space.

Still space.

There’s some stuff where Marco makes the ship descend too quickly and they rush to stabilize it while arguing and you get the point.

"Ahhh!" - Audience

“Ahhh!” – Audience

In the rush to fix it, they end up flying back toward the larger ship they came from. Doofuses.

In the Plant Room, Visser Trent reports that there are two life forms aboard the ship coming toward them. He wants to just shoot them out of the sky but Visser One is like no, that would fuck up the plot. She wants to use them to unlock the secrets of…the Andalite disk! Wowzer.

Then the show cuts to Ax standing in a barn and what the fuck.

"I am in this episode."

“I am in this episode.”

So apparently Ax has used his magic psychic powers to locate Jake and Marco in space. He relays to Cassie and Rachel that the boys have stolen a ship. This magic is justified as Ax being able to hear Visser Three’s thought-speak but that is pretty retarded. Cassie is like yo, Ax, can you send out a telepathic bullshit message to the boys like when you crashed your dumb ship into that dumb warehouse and gave me headaches all day? Ax says that sounds pretty insipid but he will try anyway.

And hey, like bullshit usually does on this show, Ax’s message reaches them crystal clear. There’s a good gag where he describes a button to them, Marco proudly finds and presses it, and Ax says, “Do not press that button. It will only turn off the lights.” Fucking gold, dude. So he walks them through turning on the autopilot. In a ridiculous turn of events, there are two unlabeled autopilot buttons: one will send the ship to Earth, one will send them to the Yeerk planet. Spooky!


Marco tells Jake to pick a button. Jake goes, “No! You do it,” and I’m like, what a dick. Then he adds, “I trust you,” so I guess this is supposed to be a nice gesture. Marco surprisingly doesn’t bitch any further. He picks a button and the ship immediately loops away from the mothership, leaving Visser Trent to stare out the window in frustration.

Mama Marco strokes her plants until her hands begin to twitch outside of her control. I don’t really know why.


Hours later, the girls and Ax are still waiting for the boys. Then they come strolling in all wet, having landed in a swamp offscreen. They look fresh from a facefucking by Shrek. They thank Ax for saving their lives and Cassie gets a boner. She gives them some dry clothes to wear that are covered in horse shit.

It's not ogre 'till it's ogre.

It’s not ogre ’till it’s ogre.

When the others leave, Marco tells Jake he doesn’t want the others to know about his mom. Jake is like “K.” He assures Marco they will get his mother back and Marco feebly says, “I know” and tells Jake he smells like shit/Shrek.

Back at the Sad Dad Apartment, Marco’s dad has a surprise for him. Not only did he paint the entire apartment without him, but he put a frame around the hand-turkey drawing on the wall to save it. He tells Marco that he’s sure his mom is real proud of him.

"I love you, son with incredibly vascular arms."

“I love you, son with incredibly vascular arms.”

A really half-assed Marco voiceover tells that Marco won’t stop until he gets his mom back. Then all of his friends come over to smile and laugh at him.

Final Thoughts:

Okay, so this is probably the best episode of Animorphs.

Combined, it easily makes for the best two-parter. There is some silly shit, and the whole Rachel/Cassie subplot was clearly there to just fill time, but hey, for Animorphs, it was mad entertaining. Like The Capture, Part 2, this is one of the few times the show really takes itself seriously (but still has some of the most genuinely funny jokes the series has offered). Boris’s performance as Marco in this episode was easily the best acting so far aside from Paulo as Ax, who is always great.

Maybe I’m just having a good day, but whatever, I liked it.

Adaptation Rating: I don’t care!

Special Effects: Nothing really, but I just wanted to remind you how great that spaceship shot was last week.

’90s Bullshit: Being comfortably numb.

Character Development: Marco goes through a whole thing.

Next Week: An episode that I vaguely remember being not bad.

Seeya, kids! Thanks for reading .

ANIMORPHS Episode 15: The Leader, Part 1

We open right on Visser Trent talking to a beetle at Yeerk labs. He spouts some shit about fear and Andalites to another Yeerk Scientist. Hey, it turns out he wants to capture the “Andalite Bandits.” Yeerk Scientist has made a remote control that detects the “morphing energy” given off when they, well, morph.

"I found this in the garage. It does stuff."

“I found this in the garage. It does stuff.”

For no apparent reason, Visser Trent’s head morphs halfway to Andalite and stays like that. He talks about how important success is to this silly plan, as if he fucks it up, the Yeerk higher-ups are ready to replace him with a less-annoying Visser. We can only hope.

You all know how this makes me feel.

You all know how this makes me feel.

Also, we’ve got a new credits sequence. The song has been replaced with an instrumental version of “It’s All in Your Hand” while Jake narrates the gist of the plot. The spooky footage is replaced with clips from past episodes. Ax still is not featured in any way. It’s way less interesting than the original opening, and it’s here to stay.

After the worsened opening, we’re at Marco’s apartment. He and Sad Dad are repainting the living room. Sad Dad moves a framed painting, which has been covering a hand-traced turkey Marco drew on the wall as a child. They reflect on how angry Marco’s mom was, and when Dad leaves the room, Marco puts his hand up against the drawing in remembrance.



Marco starts painting and manages to fall off the ladder in spectacular fashion, landing in a tray of paint. He and his dad do the whole “getting paint on each other” thing.

Another tragedy at the Marco house
At Jake’s house, our hero is drumsticking all over his room to the sound of generic music on his stereo.

What do teens love? Anti-smoking signs!

What do teens love? Anti-smoking signs!

The phone rings and Jake rushes to pick it up, but Tom beats him to it. The call’s for Tom, which gets Jake real paranoid about secret alien business.

Jake becomes his dog to eavesdrop. Tom’s talking about building a new Kandrona and further preparing for the arrival of…VISSER ONE. I just hope it’s not another hammy bald man .

Jake heads to Marco’s place, where no painting at all was actually accomplished. Jake says that he has big news and Marco makes a joke about having a date with Buffy the Vampire Slayer, keeping things topical.

Also Marco is short as shit

Also Marco is short as shit

So Jake fills Marco in on what he’s learned. It turns out the new Kandrona is at the “EGS Tower,” which Marco correctly remembers as the building from the shitty future episode. He also calls the Ellimist “that Elmo guy” which I guess is funny. I cannot believe this show is bringing back a past plot point.

Jake wants to lay siege to the tower, but Marco is like fuck that. He throws a fit about being tired of the superhero life. He says “we’re just kids,” which is funny because Marco looks particularly 35 today.

Basically, it’s been two years almost since Marco’s mom died. Sad Dad is finally getting out of his depression and Marco doesn’t want to fuck that up by dying; he just wants some normalcy. Marco shows Jake a picture of his shattered family and starts crying.

"This was my best shirt."

“This was my best shirt.”

Jake relates, but he says he has to keep fighting if he wants to get Tom back.


Wait, that was too subtle for Animorphs. Let me fix it.

Nailed it.

Nailed it.

Later, Jake sneaks around the fences outside of the EGS Tower .Cassie and Rachel are there, too, but Marco’s blown them off. Also, Tobias and Ax are apparently “laying low” this week. I’m starting to wonder if there was some kind of contractual limit to how often the actors could appear.

Hey, Marco’s here! He decided to show up, insisting that after this adventure, he is totally donezo for reals. The gang sneak into the building without turning into animals or doing anything.


Surprisingly, this is relevant: Marco notes how weirdly easy it was. They quickly find a closed door emanating an alien red light.


Apparently it makes the same sound the tower made in the future. Jake and Marco turn into lizards to sneak under the door.


Of course, this sets off the “morph energy” sensor. It lights up a sector on this security guy’s console map—which is clearly a piece of paper serving as a computer display.


Marco and Jake demorph in the room of red, where they’ve found the new Kandrona–basically a miniature red sun. But the guard sounds the alarm before anything can be done, and walls slide into place to trap Jake and Marco inside of a small, featureless black box.


Then the box they’re in launches into space.

Cassie and Rachel break into the red room too late, finding the guys gone BECAUSE THEY WERE LAUNCHED INTO SPACE.

The girls hide in a vent before Tom and his goons show up in the room. Tom calls Yeerk Labs to tell them the Andalties have been captured and are “on the way.”

In the Rocket Box, the boys attempt to find some way out of their predicament. They eventually manage to pull a panel down off the wall.


Doing so reveals….this.



Which I guess represents outer space, because Marco says, “Jake, we’re rocketing into space,” which will be the name of a song if I ever start a punk band.

The girls crawl through the vent and emerge on some ledge with a fucking chasm in front of it. They can’t morph due to the sensor, so Rachel has to convince Cassie to make the jump across. Then they jump across. This was pointless.

In outer space, whatever the fuck the boys are trapped in is beamed up into a mothership.



And it looks…really good, so good I’m suspicious that they just reused stock footage from some other movie or something.

Sensing doom, they morph into cockroaches. This astounds the human security Yeerks with their flashlight guns, of course, because the Yeerks are complete assholes. The bug-boys scurry off into the mothership bowels.

Cassie and Rachel decide to beat the Kandrona to death. That is their plan.

Human again, Jake and Marco run around the ship’s halls until they stumble into the back of some big assembly. They hide and watch as Visser Trent takes the stage, with Marco complaining “he’s everywhere”–I feel your pain, brother.

Yeerk dress code sucks shit

Yeerk dress code sucks shit

Trent gives a big speech about how they’ve captured the Andalite bandites, emulating George W. Bush’s Mission Accomplished bit. He introduces Visser One for the purposes of bragging about his victory.

Visser One joins him on the stage. It’s a middle-aged woman dressed all in black.


Jake’s eyes go wide.

"Visser hot?"

“Visser One…is hot?”

Marco looks ready to cry.


Jake says, “Marco…it’s your mom.”



Final Thoughts:

Hey, this was pretty good! Marco crying was a bit too much, the foreshadowing was incredibly obvious, and the premise is sort of ridiculous–rocketship room!–but it was well-paced, flew by (no pun intended), and not too full of inane shit. If Part 2 is as good as this, this will easily be the best two-parter so far.

The writers on this one were Mike Wollaeger and Jessica Scott. Scott also wrote the oatmeal episode (lol) and now has a career writing lots of Disney Channel Original Movies. Wollaeger, interestingly, worked only on the same episodes as Scott; he hasn’t written anything since 2002.

Adaptation Rating: Numbers are stupid. This one isn’t too far off conceptually, except that in the book, the entire group is captured. Also, the EGS Tower isn’t made to be such a thing, as this book–The Predator–was published before any Ellimist shit.

90’s Bullshit: Buffy the Vampire Slayer, outer space.

Character Development: Marco’s dad is beating his depression; Marco wants to quit the Animorphs again; Visser One is Marco’s mom; Marco’s mom is Visser One.

Overall Rating: A high 3/5.

Next Week: We’ll see if Part 2 can fuck this up.

ANIMORPHS Episode 14: Tobias

An alarm clock goes off. A hand hits snooze. Who could this hand belong to? Oh, it’s Tobias.

Yep. This is what we're doing.

Yep. This is what we’re doing.

A singsong-ass voice from offscreen croons, “Toby! To-by! Are you up? C’mon, To-by! You don’t wanna be late for your first day of school!” Tobias rises from his slumber and pouts, “IT’S TOBIAS, AUNT MARY.”

Tobias heads to the bathroom, muttering and bitching to himself. As he starts to brush his teeth, the screen begins to get all fuzzy like a VHS tape. It turns out that we’re watching this scene on some kind of little video screen bullshit device courtesy of Ax. Bird Tobias is watching, too. ANIMORPHS: Directed by David Lynch.

It's come to this

It’s come to this

After the opening, we’re with Ax and Tobias. They’re hanging out in a river for some reason. So here’s the set-up: Ax is using some kind of Andalite technology/magic to convert Tobias’s memories from his bird-brain to video. Tobias is freaked out by how “real” the video is.

Or maybe he's just a bird, I can't tell.

Or maybe he’s just a bird, I can’t tell.

This all immediately escalates when Ax closes the device’s screen and suddenly our two heroes are standing in a vast black void. Apparently Ax is using the machine to project Tobias’s memories around them. Why did we even bother with the video screen, then?

Also everything looks like this

Also everything looks like this

Tobias remembers his frist day of school, which he and Ax are poorly green-screen transition’d into. Past-Tobias drops all of his books like a doof.

What a dick.

What a dick

He attempts to get into his locker, but it’s blocked by a dick in a letterman jacket. The Dick gives Tobias the whole “FUCK YOU, NEW KID” routine, telling him these are lockers FOR SENIORS ONLY, YOU IDIOT, YOU DUMB PIECE OF SHIT.

What a dick

What a dick

Dude Dick is about to tear off Tobias’s face when Rachel breaks up the fight and leads Tobias away. The two try to be cute as Rachel shows Tobias his locker WHICH IS RIGHT NEXT TO HERS DESTINY <3. It’s flirt city; Tobias falls in love/boner.


“You ever think about eating dead rats? Just thinkin’.”

Then, with the only transition being a dimmed screen and Ax muttering “My turn,” we cut to an Ax flashback. He’s living in Cassie’s barn just after joining the group, wearing his clothes backwards, learning how to walk, you get the picture. Cassie brings him some old clothes, including a leather jacket…with 10 DOLLARS IN THE POCKET.

Also she undresses him

Also she undresses him

So Ax wobbles out of the barn (seriously he can’t walk for shit) and nearly gets hit by a car. He manages to inadvertently flag down a taxi BUT HE DOESN’T KNOW HOW TO OPEN A DOOR. The cab takes him to the mall and Ax WALKS AWAY WITHOUT PAYING, STARTING A TIFF WITH THE CABBIE. The cabbie tries to give him change for the fare and Ax says, “CHANGE? INTO WHAT?” Basically, it’s like a solid five minutes of this shtick. And I love Ax, but this is killing me.



So Ax wanders into the Cyber Cafe, which Tobias calls “Cyberia” or something, so I guess it is called that, who am I to argue with a bird. Ax introduces himself to random teenagers while saying things like “HELLO. I ENJOY YOUR CLOTHING.” Then he walks up to a few kids playing a video game…the Beast Wars game Jake and Tobias were playing in the first episode. So I guess this whole time, the arcade and the weird Cyber Cafe have been one in the same. This episode really IS giving us some revelations.

Finally, Ax gets into a fight when he tells some dude how implausible the video game is. Luckily we cut away to the black memory void, where Tobias’s memories have conjured the ghostly visage of Elfangor. Now we’re just seeing stock footage of the first episode, particularly Elfangor giving Tobias the Andalite Disk (hey, remember that?) and Tobias fucking it up. Seeing his dead brother frazzles Ax, who cancels out the simulation (or whatever) and we’re back to the river.

Tobias apologizes for bringing up Deadfangor and tells Ax how much his brother meant to all of them. This little thing over, we go back into Tobias’s memories. This time we’re seeing new footage of his perspective from “My Name is Jake, Part 2,” specifically after he acquires the hawk for the first time and disappears from the group.

Past-Tobias is out in the woods, having a breakdown over the crazy state of his life. He’s got a sweaty forehead. Then he just…runs home and reads a book. While there, he overhears his aunt talking on the phone about sending him to live with another aunt & uncle. So he flees again, back to Cyberia to distract himself with Beast Wars.

Now an old janitor shows up and tells Tobias “you look like you’re carrying the weight of the world on your shoulders.”

"I'm the wise janitor."

“I’m the wise janitor.”

Tobias tells him it’s easy to feel like that when you’re the one person chosen to save the world; the janitor counters that, in such a situation, it would be best to team up with others. Tobias claims that the others don’t need him. The janitor’s point basically becomes “stand up and face your problems.” Why is Tobias meeting a Wise Old Janitor? This episode is all over the place. AND THEN THE JANITOR DISAPPEARS. WHATEVER.

Tobias runs BACK to the woods, where he turns into a bird with much difficulty.


Then he flies away…and a song starts playing…and the lyrics are…


So this is basically the funniest thing on the planet. Hearing this inspirational song in his head inspired Tobias to go help his friends and become an Animorph/sweet bird of prey.

But Tobias won’t give his Magic Janitor all the credit. The next flashback is set the day after “My Name is Jake, Part II.” Rachel and Tobias are flirting in the road, as they do.


Rachel basically tells him, “Hey, we thought you were a creepozoid, but thanks for saving us.” Basically, Rachel tells Tobias that she feels just as apprehensive about the whole alien bullshit thing as he does. Tobias goes home and jerks off for the final time.

THEN, WHATEVER, BACK TO AX’S STORY I GUESS. The video game bully throws him next to a dumpster and the cabbie shows up at that exact moment to pick him up and drops him off in a park where he buys an ice cream and is flirted with by the ice cream scooper girl and tries to eat the ice cream through his shoe DO YOU GET IT YET?

Ice Cream Jane has a thing for the developmentally disabled

Ice Cream Jane has a thing for the developmentally disabled

Then he morphs some woman’s dog and runs back to the barn as a dog and dog dog dog until dog.

Then some stuff where Tobias creates a “living memory” of himself as a human so Human Tobias can talk to Human Ax in the Black Memory Void and Tobias’s sad piano theme plays and fuck this episode.

A photo of Animorphs

A photo of Animorphs


If you couldn’t tell, this episode is all fucking over the place. It tries to tell like three different stories–Ax’s first day as a human, Tobias’s first day at school, and Tobias morphing for the first time–in the absolute most disjointed way possible, stitched together by a frame story where Tobias & Ax stand in a river and project their memories through a convoluted magical mystery device.

The format problems aside, none of the stories work on their own. Tobias’s first day of school is meant to show us how rough his human life was, but instead of being a dweeby guy with completely negligent guardians, Tobias’s biggest problem is that his aunt calls him Toby instead of Tobias. Yeah he gets bullied by an older dick at school, but also immediately gets hit on by a hot girl.

Seeing the events of the first couple episodes from Tobias’s POV was a good idea, but it’s all wasted on Tobias hanging out in the woods alone, the completely bizarre magical vanishing janitor of inspiration, and the cheesy-ass flying sequence.

Ax’s story drove me up the goddamn wall. I’ve raved about Ax’s comedy bits being the best part of this show but they laid it on SO thick and constant in this episode. I couldn’t stand it.

The shittiest part is that Tobias REALLY could’ve used some character development. He’s basically non-existant in most episodes (unless he is BEING SHOT AND KILLED AND REVIVED WITH NO EXPLANATION), so spending twenty minutes just on his backstory or his feelings could’ve been fantastic.

It wasn’t fantastic.

This was written by Carl Ellsworth, the guy who wrote “The Reaction” and went on to have an actual screenwriting career in Hollywood. Whatever.

Adaptation Rating: 0/5 Who cares.

Special Effects: Magic I guess

90’s Bullshit: Calling your establishment “Cyberia”

80’s Bullshit: John Travolta, Grease

Character Development: Everyone is an idiot.

Next Time: Marco’s mom is dead. OR IS SHE?

Hey gang, we’re officially over halfway through this series. Thanks for reading this dumb shit I’ve been writing and if you’ve been commenting, thanks even more for that. Big shout-out to my readers from Reddit. These ANIMORPHS reviews have been a nice constant in my life through two huge moves, living in three different places, unemployment & getting a job, a relationship & a breakup, depression & getting better…through all of that and more, it’s always been really nice when someone says “Hey, that stupid joke you made about kids turning into dogs really made me laugh.”

ANIMORPHS Episode 13: The Capture, Part 2

We pick up from the end of Part 1 with Jake, Marco, Cassie and Rachel heading back from Operation Fall out of a Vent and Nuke the Yeerks. They’re happy about their success and Jake’s hair is still wet.


At the Barn of Less-Important Characters, Ax asks Tobias the Bird about eating mice. The rest of the gang shows up to share stories of their victory, but Ax takes one look at Jake and gets reeeeeeal suspicious.

"I am suspicious."

“I am suspicious.”

Uh-oh! Jake has an inner ear infection!


Well, Ax takes one look at that and tackles Jake to the ground.

Ax enters Andalite Heat, cannot be contained

Ax enters Andalite Heat, cannot be contained

After the credits, the others pull Ax off of Jake (except Tobias, who flaps useleslly in the background). It’s Ax’s day for a voice-over about how even your friends can’t be trusted when Yeerks are around. Jake tries to diffuse the situation but Ax isn’t having any of that shit. He tells the kids that Jake is a controller.


Cassie is all “nah” but Rachel brings up that “you did fall into that Yeerk tub.” Jake’s defense is basically “COME ON!”. He claims that if he were a controller, he would’ve gone straight to Visser Three to turn them all in, but the gang responds that a good Yeerk would play a longer con.


Jake gets real anxious and scared as his friends get more suspicious. Then in typical Animorphs fashion, something stupid happens. Rachel declares that as a test, Jake should shake Ax’s hand. Because “a Yeerk would never shake an Andalite’s hand.” Okay, I guess based on how shitty the TV Yeerks are at everything, that checks out. Ax sneers, “I’d rather kiss a Hork-Bajir ” Pretty funny.

So Human-Ax morphs his hand into an Andalite hand and they shake and Jake is like “see, that was stupid.” Rachel hugs him and everyone apologizes for being such Suspicious Sallies.

Eiffel 65

Eiffel 65

But Cassie decides that the Jake she knows would want them to be sure, as in waiting out the three days it would take for a possible Yeerk to starve in his head. The Jake she knows wouldn’t just keep reassuring them. So they tie Jake to a chair.


Jake is starting to get pretty antsy, and I have to say, Shawn Ashmore is doing a pretty good job here. The persona he’s adopted is very different from the Jake we usually see, which is to say he’s actually emoting and not just standing around or turning into a dog. The crew decides that there’s no other option but to keep Jake restrained for three days, and that they will have Ax morph his appearance and replace him for the duration.

Cut to, haha, Ax-Jake eating potato chips with Marco. Oh my gosh, this episode is a testament to the God Shawn Ashmore, he is nailing Paulo’s bizarre Ax speech patterns. Funny times.

I wish Ax was everyone.

I wish Ax was everyone.

In the Bondage Barn, Cassie stares into Jake’s eyes and calls them “the window to the soul.” Rachel steps out so Cassie can intact her sexual whims or whatever. Then oh here we go.

Cut to a hazy purple void, aka the interior of Jake’s mind, where he is, appropriately, still tied up in a chair.



Jake tells the Yeerk in his head that his friends aren’t buying it, and that soon enough this’ll all be over. The Yeerk, who sounds like an asshole, talks all about oozing his away through Jake’s brain. The Yeerk is stoked to know that the Animorphs are just humans, and promises Jake that soon enough he’ll escape and turn them all in.

Also this

Also this

At Jake’s house, Ax-Jake is channel flipping. He invites Tom to watch his favorite program, “girls lifting weights.” Tom blows him off and Marco tells Ax to stop being such a weirdo. He specifies that “at dinner, I don’t want you saying anything but ‘pass the butter.'” Of course, this leads to Ax piling spoonfuls of butter into his mouth at the dinnertable and replying to everything with “Pass the butter.” Jake’s parents take their son’s apparent brain damage pretty well. This sequence is sorta funny but it goes on for like five minutes.

"Oh good, now both off our sons are assholes."

“Oh good, now both off our sons are assholes.”

Later that night at Cassie’s Love barn, Cassie feeds Jake and he starts laying some shit on her about the first time they met. Apparently Cassie had just moved to town, a snake escaped during science class, and Cassie caught it and saved the day with her infamous animal empathy. Jake starts creepily telling Cassie how special she is, then passive-aggressively mentions how tight his ropes are. Cassie, blinded by arousal, loosens his restraints.


In the purple void, Jake screams for Cassie not to do this. He tries to reach out to her, and as she looks into his eyes, Cassie realizes what’s up when Jake is able to briefly take control of his own hand for a moment. Yeerk-Jake tries to put his sweet and innocent voice back on, but Cassie’s had enough of his shit.

Back in the brain void, the Yeerk shows Jake images of a sobbing Tom, telling Jake just how the Yeerks broke the spirit and will of his older brother and enslaved him. Jake doesn’t like it.


The next day at science class, a teacher talks to Ax-Jake. Apparently Jake’s schoolwork has gone to a “quantum level” over the past three days, so I guess three days have already passed. Then Marco drags Ax out of the room. This scene doesn’t really have a point.

In the barn, Jake mocks Tobias for being stuck as a dumb bird.

"You're a bird! You don't have a soul!"

“You’re a bird! You don’t have a soul!”

Tobias seems pretty happy with himself, but then Jake brings up that he’ll never be anything more than “a pet” to Rachel. Jake to know how to make Tobias human again and offers a deal-with-the-devil to him. Tobias doesn’t get a chance to answer, as Rachel shows up to take over babysitting. Tobias tells her “he’s all yours, Rachel,” then flies the fuck out of there. Wow, this scene was surprisingly well-written for Animorphs; Tobias’s lack of a response really speaks volumes and is subtlety I did not expect from this show.

At this point, Jake has gone full Smirking Evil Asshole. In the brain haze, the Yeerk tells Jake that he’s found the power to morph within his brain. It took three days to figure that out? I don’t think that’s how being a Yeerk works, but whatever. So basically, shit is about to get bad.

Later that night, Rachel is falling asleep on the job because she’s completely useless.

And she's too vain

And she’s too vain

Jake feigns sleepiness as well, yawning until Rachel does conk out completely. The second she’s asleep, he morphs into good ol’ Dog the Dog and runs the fuck out of there.



Dog Yeerk Jake bounds into the woods, then morphs human again and keeps running toward another Secret Sharing Camp. But hey, woops, Lion Rachel is already here to fuck him over.

He turns to run, but Horse Cassie is there, and Wolf Marco too, and Ax Jake. They might’ve just filmed Shawn Ashmore twice, or this might be his twin brother Aaron, I don’t know. So basically Rachel fell faked falling asleep so Jake could lead them toward another Yeerk Pool entrance. I don’t know, guys, that was a pretty ballsy gambit to pull when you only had like 15 more minutes until the Yeerk was for-sure dead, but I guess it worked out. On cue, the Yeerk reaches its point of starvation and Jake starts convulsing in pain.


His friends scream for him to fight the Yeerk until the little slug falls right out of his head and withers on the forest floor. Jake, trembling, crushes it under his foot.

Cut to the Cyber Cafe, where Jake drowns his sorrows with whatever you drink at a Cyber Cafe.



He tells Cassie that he now knows what it’s like to be the prisoner of a Yeerk, stuck in your own body with no control and no hope. He thanks Cassie for being there for him through this ordeal. Romantic music plays as Jake apologizes for the sexual advances his infected self made on her.

Marco show sup and tells Jake, “It’s ready, man.” In another part of the Cafe, Ax has hooked a cell phone up to a computer or some bullshit. Jake takes the phone and calls his house, where Tom picks up.


"Hello. Is this Dog?"

“Hello. Is this Dog?”

With his voice modified from the computer, Jake tells his brother, “Don’t give up, Tom. No matter what it tells you, no matter it makes you do. Don’t give up. You’re not alone. Keep fighting, Tom. We’re fighting with you.”

Tom hangs up the phone…and his hand begins to tremble, moving out of the Yeerk’s control.


Final Thoughts:

The first part of the episode was definitely bad, but wow, Part 2 might be the best thing this show has produced so far. It should be evident by the length of this review that there is more plot and character development in this half an hour than in most of the show so far.

The best thing about it? This episode treats the events within it with real gravitas, something even the better previous episodes rarely manage. There is a lot of comedy with the Ax bits, but the parts with Jake feel genuinely dire and serious. This is a far cry away from “Marco gets stuck in a dumpster” or whatever usually happens around here. Shawn Ashmore even got to do some real acting, and the scene at the end where Jake calls Tom feels like something out of a real TV show–and makes use of the TV medium by showing Tom’s hand tremble, something we never would’ve seen in the first-person-narrated books. And Visser Trent didn’t even show up in this part–how can this episode be real???

I regret deciding to give my thoughts on both parts at once, because Part 1 was pretty shitty, even for a set-up episode.

Both parts were written by Neal Shusterman. His Animorphs credits include both parts of the pilot, Underground, and The Message, most of which were pretty bad. So I don’t know how Part 2 turned out so great. Otherwise he’s only written Goosebumps episodes, the Double Dragon movie, a Disney Channel Original Movie and some more R.L. Stine stuff recently.

Adaptation Rating: 4/5, whatever. The element of being inside Jake’s head with the Yeerk is not nearly as well-executed as in the book, but the plot is pulled together pretty well.

Special Effects: Purple Haze Brain Disaster

Character Development: Jake goes through a horrific experience; Tom receives a glimmer of hope. Mustache Man dies.

I will not forget

I will not forget

’90’s Bullshit: Chat interfaces that would never exist. Jonathan Taylor Thomas again. Mustaches.

Overall Rating: Fuck whatever I said before. 2/5 for Part 1, 4/5 for Part 2.

Next Week: An episode about a bird. Oh, it’s about Tobias? Fine.

ANIMORPHS Episode 12: The Capture, Part 1

Hey gang, sorry this review is a few days late, but I just started a paid (!) job (!!) in social media/editing (!!!) this week, and I’m in the process of moving out to the city for said job. Everything is in a lot of flux right now so I really have no idea when the next review will go up, either, but it’ll happen.

On to the Morphs.

Jake and his family are at a fancy restaurant. Jake’s talking about Tom’s old basketball glories and his dad is eating bread. So here’s some stuff: Jake’s dad works for a clinic or something and they’ve finally gotten shit off the ground after lots of hard work.


Oh, good, Visser Trent is here.



He stalks his way toward Jake, who grows inreasingly paranoid if the camerawork is anything to go by. Then he stands behind Jake and we go into the opening. Suspense I suppose.

After the song, Jake’s dad gets up and shakes Visser Three’s hand, which really spooks Jake’s voiceover. Hey, it turns out Jake’s dad is an alien overlord. Nah, he and Trent are just Business Buddies. There’s a silly gag where Trent and Tom are both grossed out by escargot because slugs; Jake passively-aggressively shovels them down his mouth while Trent makes a face and what is gong on?

"How did this happen?"

“How did this happen?”

Jake’s dad asks our hero to help him out at the clinic over the weekend. Tom is like “NO I WANT TO TAKE HIM TO THE SHARING AND NOT PUT A SLUG IN HIS EAR.” Jake takes the former option.

At Weekend Work, Jake spends his time chatting in a totally realistic chat program to his friends who are gathered at the totally realistic Cyber Cafe.

I fucking love this I don't even care

I fucking love this I don’t even care

Ax decided to show up on the show this week and he is eating everything in the goddamn world. He eats a hot dog like corn-on-the-cob.

Apparently some big VIP guest is coming to the clinic for its opening. Rachel and Cassie hope that it will be “someone cool, like Jason John McCole.” I guess they already forgot the time they saved him from alien slavery and he retired from acting in horror. But whatever, fuck continuity, Ax is asking (ax-ing?) if hamburgers are made out of ham.

Ax, you are my spirit animal

Ax, you are my spirit animal

At the clinic, Jake’s dad is getting nervous about all the security equipment and dudes in suits and barrels full of hazardous materials that Visser Trent has filled the building with.

This show is hazardous waste

This show is hazardous waste

One of the suits tells Jake he has to get the fuck out before the Governor, who has just announced his candidacy for President, shows up.

Jake flees to the barn, where he expresses his concerns about all the spooky shit happening. Marco puts together the idea that a Yeerk-controlled Governor-turned-President might be bad for them. Then…oh, what? Ax uses magic to turn Marco’s Blockbuster Card (lol) into an all-purpose unlock-any-door-on-Earth card. Was this script unfinished or what. They all acquire a cockroach because it doesn’t matter.

Also they cast this magic spell by rubbing the card on Ax's nipple

Also they cast this magic spell by rubbing the card on Ax’s nipple

At the clinic, our four cockroaches watch the Governor enter the building.


This show is beginning to bug me

Visser Trent is there too and they are the best of buddies. Jake’s Dad starts to realize just how little control he has over his life when his own security pass won’t let him into the elevator. Maybe he and Marco’s Dad can eat ice cream together and sob.

Our heroes end up inside the clinic in human form somehow (okay) and start doing sneaky stuff. Rachel does some junk on the computer and there’s a bunch of shots of security cam footage and despite the music’s insisistance otherwise, none of it is exciting. Oh, it turns out there’s a lil’ Yeerk Pool in the building. Rachel, never failing us, says aloud and to herself: “It’s a Yeerk Pool.”

Here's a screencap of this guy

Here’s a screencap of this guy

Meanwhile, Jake, Marco and Cassie find the “Hydrotherapy Room” (read: Yeerk Sludge Sauna). I hope they brought their oatmeal.

The Glasses Yeerk guy shows up to find Rachel in the computer room, but she bugs out of there so that’s irrelevant. Jake can’t get his magic card to work on the door, but I guess that’s understandable since his card is total bullshit. Jake says “Ax said this could break any code” and Cassie says “Any HUMAN code” and WHAT THE FUCK SENSE DOES THAT MAKE, CASSIE.

"It's like this doesn't make any sense!"

“It’s like this doesn’t make any sense!”

Rachel shows up and Visser Three is stalking toward them but then they are all cockroaches so whatever.

The roach gang runs into a cleaning lady who tries to murder them with bugspray, but they escape into a vent. Marco says, “This is a bad morph” and I’m starting to feel that way about my life.

So the roach-kids end up in a vent above the Yeerk Pool room. Visser Trent finds the Governor getting a massage and invites him to enjoy the hydrotherapy sauna. The kids morph back to human in the vent (because?). The increase in weight causes Jake to fall through the vent and into the tub-sized Yeerk Pool, which makes sense, because the vent seems to be made of construction paper and cardboard.

Also, this guy is crushed to death by the falling ceiling.


I am not being facetious. He dies.

The first casualty of the war.

The first casualty of this war.

The other kids fall down, too, and Cassie pulls an unconscious Jake out of the pool.


Marco sticks a chair against the door as Trent tries to get into the room. Rahcel says “He’s unconscious,” so that’s what she says. Jake decides to sort of wake up. The goons break down the door and Rachel horrifyingly morphs into a lion to chase them while the others get away with Jake on a stretcher.



But first, Marco destroys the Kandrona source and turns the heat up so high on the pool that the Yeerk slugs inside boil to death.




The Governor decides “fuck this” because a lion just chased him through a wellness clinic. Outside, Jake comes to his senses. Everyone is really glad that Jake didn’t get yet another brain injury or anything, but just as the episode ends, he smirks an evil smirk at the camera.


Oh shit!


Final Thoughts:

I’m gonna just deal with this when I review Part II. See you morph-monkeys next week.


ANIMORPHS Episode 11: The Forgotten

Here we are again. Rachel walks down the street expositing that she is on her way to gymnastics camp for the weekend and also she is wearing a sweatervest.



She tells us she wanted to cancel her plans due to alien invasion, but the others insisted she go. Before she leaves, she has to check in with Tobias, because birds are like R.L. Stine: they give her Goosebumps. Rachel runs into the wooded glen like the happy schoolgirl she is and stares at the sky and turns into a bird.

Hey bird

Hey bird

She flies around using what I’m almost sure is repeated stock footage…until she suddenly spirals out of control and crashes into the forest below. Woops!

After the intro, Rachel wakes up on a log.

Get used to this sight.

Get used to this sight.

She is still providing voice-overs, but now they have the thought-speak distortion effect applied to them, and also she has a bird arm.

I've heard of bird flu BUT THIS

I’ve heard of bird flu BUT THIS

Her arm becomes an arm again and Rachel wanders off into the woods. By the way, I guess she has amnesia now.

Meanwhile, Tobias is flying around the area searching for her. He’s pissed as shit that she’s late for their date, he’s a bird with a lot to do. Then he finds her abandoned backpack. Detective Bird realizes something is amiss.

In the park, Jake and Cassie are playing baseball while Marco sits under a tree and laughs at them. This reflects the couple’s sexual dynamic: Cassie has the bat, Jake is the pitcher, and Marco awkwardly watches and giggles.


Tobias shows up to ruin their fun. Marco’s hair looks extra stupid today, and I know I say that a lot, but it’s really true this time guys I swear.



Tobias tells the gang that he thinks Rachel is all missing, then flies off to search for her some more.

Typical day of talking to birds

Typical day of talking to birds

In the woods, Rachel is crossing a stream and walking through the trees and other woodland activities. Then she trips on a rock and falls down like a regular Visser Three.



Luckily, she notices a woodland shack while getting back up. She goes to investigate. Hey, did any of you guys ever read Cold River as a kid? That was a neat book about the woods & bears & escaped lunatics & dead dads & bears.


The shack is empty, so Rachel eats some food and plays with a collection of mason jars. Looking at a jar causes her to have a flashback of flailing around in the Yeerk Pool a few episodes back (you know, when Tobias was murdered).

This crazy old broad shows up and locks Rachel in some kind of wooden prison cell room.


Rachel tries to explain, but the woman is convinced she is a Yeerk. Rachel has a flashback to the time she dressed up like a doctor and watched as that oatmeal guy became re-Yeerked. Hey, whatever happened to weaponized oatmeal?

The old lady starts waving the jar around, and I guess it contains the Yeerk that used to be in her head. Spooky.

The others (minus Ax who I guess is at a rave party or something this week) have gathered around Rachel’s backpack and Jake the Dog is attempting to acquire her scent.

morphs9The plan falls through when they realize she must’ve become a bird and flown away. Maroc argues “Rachel hasn’t acquired a bird morph,” and Cassie is like “Yes she has.” It comes out that Rachel semi-secretly got herself a bird morph solely to hang out with Tobias. He tells everyone, “She can be a bird,” and I bust out laughing at that line.

Back in the prisoner shack, the old woman is rocking back and forth and having the time of her life while Rachel experiences further flashbacks and recalls words like “Andalite” and “morph.”

The two pretty much just argue with each other. It turns out that despite being out of her gourd, this old woman knows her shit: she escaped from the Yeerks, knows about the Sharing, etc. Rachel busts out of the shack because, hey, it’s a wooden shack, and runs away.

Jake the Dog is still tracking and Tobias is still flying around birding. Jake picks up the old lady’s scent and the gang run into her as she’s looking for Escaped Rachel.


She’s convinced they’re Controllers, too, which gets their attention. She makes vague references to Rachel, and Tobias says, “Rachel’s hurt. We’ve gotta find her before she talks to anyone else.” Well, nothing about this woman’s dialogue implied that Rachel had amnesia, but whatever. The old lady throws dirt at Cassie.

Rachel trips over a log in like the most spectacular fashion imaginable and then decides to give up, sit down and die alone in the woods.



Jake the Dog and his Human Friends show up at the prison shack. Cassie spots the Yeerk-in-Jar and is like oh okay. Jake smells danger.

"We have the worst fucking props department."

“We have the worst fucking props department.”

Rahcel’s back on her feet again (commercial breaks really fix everything on this show, shoulda known that) and she runs into…this dude.

Oh, him.

Oh, him.

This guy asks Rachel if she needs any help, and she says she’s looking for The Sharing. He’s like oh, hey, shit, it’s not far from here. Rachel nearly faints from poor life choices and the guy agrees to lead to her Sharing Camp.

This old nut is still on her trail.

Tobias lurks around Sharing Camp until he sees Rachel and That Guy walk in. He tries to thought-speak to her, but she has no idea what’s going on. Maybe he should’ve tried saying “I’m that bird you want to fuck.”

Tobias reports back to Jake the Human and his Human Friends. They discuss Rachel heading to The Sharing and Marco wonders if she’s just been infected by the Yeerks. I’m pretty sure this is like the fourth time Marco has accused a member of the group like this. Tobias goes into a bird rage over these allegations. Much like Shawn Hunter, he flies away in a huff.



At Camp Sharing, Rachel lets a bunch of strange men massage her head.


She mentions the word “Yeerk” and they go on alert. Rachel is an idiot. She allows these strange men to use strange alien tools on her head. They scan and find no Yeerk in her brain.

The others hide in the bushes outside the camp. I am hoping this will end with Rachel running toward them, then catching & spiking a football.

The two strange men decide to just let Rachel nap an put an alien in her head later at the Big Alien Bonfire & Snack Party or whatever. Later, the others watch a big oil drum being pulled into the camp. Cassie says it “looks like a Yeerk Pool,” and it doesn’t, but okay. They see Rachel being led out of her tend and toward certain doom, and decide to finally use their power to transform into animals.

Rachel has a flashback to what appears to be a Yeerk-infected Jake shoving his finger in his ear. That hasn’t happened yet, so I’m guessing this was aired out of production order or that no one involved with this show gave a shit about anything ever.



The flashbacks give Rachel a headache, but the strange men trick her into letting them do stuff to her head again.

Outside, someone is a wolf and they spook all of the flashlight goons.



This dude seriously almost infects Rachel by telling her “hey, look over there” and then trying to shove a slug into her head with a pair of chopsticks.

What a plan

What a plan

She sees what he’s doing (shocking right) and tries to run; she’s cornered, but then Marco the Wolf shows up to make the strange men cower in fear.



Rachel runs off into the woods, where Jake and Cassie grab her. Thinking they’re assholes, she breaks free and runs off again.

Guy #1 wants to call Visser Three and alert him that they fucked up, but Guy #2 is like, “he doesn’t have to know.” Pretty funny, even these dorks don’t want to deal with Visser Trent’s bald shit.

I guess Cassie and Jake wrangled Rachel again (or maybe Wolf Marco just took a huge bite out of her leg, crippling her), because they’re all back at the barn trying to convince her to end this storyline. Rachel just keeps trying to run away. She calls them “freaks,” and I guess she got even more amensia and forgot that she had a bird arm earlier.

Jake morphs into a tiger (I don’t know what this is supposed to prove) and it’s exactly the same shot as when he did it in “Underground,” also, they don’t even show the tiger, just the reused morphing shot. Cassie urges Rachel to morph into a lion because I guess that will fix her dumb head.

Rachel has some kind of spiritual vision of a lion, then she gets on all fours (oh boy) and starts being one. And then she remembers everything.

Maybe I should turn into a lion.

Maybe I should turn into a lion.

A couple days later or whatever, Rachel does gymnastics in the park with her friends (how are they going to explain this whole incident to her parents by the way?).


Then there’s a spooky POV shot and it turns out the crazy old woman is watching from the bushes. I’m sure that will totally be brought up again.

Spooky scary

Spooky scary

Also the credits say her name is Fran. Great!

I watched this episode on my shitty old ripped copy instead of Netflix, and the credits contained a VO of Angelica and Chuckie from RUGRATS talking abotu SNICK. Jesus. Also it was apparently recorded from an “ANIMORPH-A-MANIA” marathon. Double Jesus.

Final Thoughts:

This was pretty good, sure. The concept isn’t that interesting (Rachel randomly gets amnesia until she doesn’t have amnesia) but it’s executed pretty well, which I guess in the inverse of most ANIMORPHS episodes. There’s nothing aggressivley irritating, the plot follows and makes sense, all of the characters get something to do (except Ax who is literally never mentioned), Visser Trent made no appearances, etc.

Weirdly enough, this was written by Scott Peters, who also wrote “On the Run,” my most fuck-this episode of the show so far. He has had a solid career of writing spooky sci-fi for TV: before this he did a bunch of ARE YOU AFRAID OF THE DARKs, and he went on to write for THE 4400 and V. He also did eight episodes of BEYOND BELIEF: FACT OR FICTION. So I guess I can’t hate him for the “On the Run.” I am going to continue hating him, though.

Also weird that we just did two Rachel episodes in a row, right? This combined with the flashback of Jake that seems to come from next week’s episode seem to solidify that something fucky was happening here.

Adaptation Rating: I don’t know. This was based on one of the subplots from MEGAMORPHS #1. Megamorphs was a line of special, longer books with bigger-concept plots (the second one sends them back to dinosaur times for no reason) and multiple POVs. This plot was sort of annoying in the book and I don’t remember much about it. Sorry.

Special Effects: 3/5. I was going to give them a generous 4 but they are losing points for how apparent the stock footage has become.

Character Development: Rachel likes to turn into a bird so she and Tobias can make out. Rachel gets amnesia but then doesn’t have amnesia anymore. Marco is still an asshole.

’90’s Bullshit: Letting strange men touch your head when you’re a pretty teenage girl. Gymnastics camp. Rugrats and SNICK.

Overall Rating: 4/5. Good execution of a boring idea.

Next Week: Another two-parter where Jake does a bunch of stuff.

ANIMORPHS Episode 10: The Stranger

This episode will be guest-reviewed by my buddy Kyle, who, until this point, has never seen an episode or read a book of ANIMORPHS. He has been listening to my constant prattle about this show’s fuck-ups for too long. Today is his chance to experience the things. I will write the captions. I’ll do an actual review next week. Or maybe I’ll review 100 Deeds for Eddie McDowd. Who can say in this turbulent world?


Rachel(?)’s dad wants her to move away with him and she considers it because it might be more fun than fighting an interstellar war.

"Sorry about the divorce, but you're SO VAIN."

“Sorry about the divorce, but you’re SO VAIN.”

Then everyone is out in the woods and the blue alien horse puppet gets thrown around and they all get trapped in a net.



Bad guys show up to gloat.



Then a space ghost freezes time to show the kids how shit the world will be if they lose.


Basically everything will be yellow and a bad CGI ship will fly around.


Also Tobias will not be a bird because magic

Tobias will not be a bird because magic

Also Rachel will be a mean old bitch.


The ghost offers them some alternative that would leave Earth yellow and fucked but let them stay OK somehow. They refuse. Then everything is just okay anyway.

As usual.

As usual.

Rachel decides not to move away.



Rachel is a girl. She likes her dad and I think she has a sister. According to others she is really vain. She’s the one who wants to fuck that bird, right?


Tobias is a bird.


One of them is also a girl.



The other one might be called Paul and wears an orange vest. Is he the one with the shitty old brother?

Sure why not

Sure why not

There’s a blue alien who poses as a retarded kid.

And likes bondage.

And likes bondage.

Visser 3 is a terrible, incompetent villain.



Oh, I forgot about Jake. Jake is a character I forgot about.


Favorite Character

Tobias, because he seems pretty happy as a bird.

Least Favorite Character

Old Rachel because she was a nasty bitch.

Adaptation Rating: I’ve never read the book. 2/5. Some of it may have been in the book, but there’s no way it was executed as stupidly. I imagine the space ghost would have been explained more than not at all.

Special Effects: I’ll give it a generous 3/5. They weren’t great, but I wasn’t offended either. From the sound of things, they tried more than usual with their yellow vision of the future.

’90s References: Space Ghost Coast to Coast.

Character Development: All-powerful space entities are actually irrelevant and Rachel is convinced that she needs to stay and fight.

Why Do You Think This Series Failed?

There’s nothing about it that can’t answer that question.